Website:
Specialization:
Areas of Concentration: Modern German religious architecture, Historic preservation, Landscape studies
Faculty Advisor: Volker M. Welter
Committee Members: Richard Wittman, Mark Edward Ruff (History, Saint Louis University)
M.A. Thesis: "The Role of Museums and Historic Preservation in the Creation of German National Identity, Illustrated in the Magazine Die Denkmalpflege, 1899-1922," completed 2022
Bio:
Alexander Luckmann is a Ph.D. student specializing in histories of architecture, preservation, and landscape. His primary research focus is modern and contemporary religious architecture in the United States and Germany, particularly Catholic architecture in the Rhineland. His academic publications have appeared in Art in Translation and react/review: a responsive journal for art & architecture. His popular writing has appeared in Slate, The Architect’s Newspaper, New York Review of Architecture, and Cleveland Review of Books. He has presented at conferences including the College Art Association, Society of Architectural Historians, and American Historical Association. His research has been supported by the Regents Fellowship from UC Santa Barbara and the Thyssen Pre-Dissertation Fellowship from the German Historical Institute.
Before grad school, Alexander worked as a landscape designer at Michael Van Valkenburgh Associates in New York City, helping design waterfront public parks across the United States and Europe. He has also been the Architecture + Design Curatorial Intern at SFMOMA, conducting research for the 2018 exhibition The Sea Ranch: Architecture, Environment, and Idealism.
For a full CV and further information, please see Alexander’s website .
Publications:
"A Forensic Architecture exhibition in Germany uses real life narratives and architecture to document violence and systemic racism ," The Architect's Newspaper, July 28, 2022.
"Asphalt and Sand: A Material History of Extraction and Consumption ," Cleveland Review of Books, May 13, 2022.
"Who is Paying for the Public Life? ," Slate, November 2, 2021.