Courses

NOTE: All History of Art & Architecture courses use the prefix ARTHI

2023-2024 History of Art & Architecture Courses

* = Museum Studies
^ = Architecture and Environment
Red = Grad Seminars
Purple = Undergrad Seminars
Black = Undergrad Upper Division
Green = Undergrad Lower Division

Schedule is subject to change - last updated 3/13/2024
INSTRUCTOR FALL 2023 WINTER 2024 SPRING 2024
ADAMS 186G  Seminar in Seventeenth Century Northern European Art    
BADAMO 105O  The Global Middle Ages: Visual and Cultural Encounters in the Medieval Mediterranean 105P  Introduction to Medieval Art and Architecture Non-Teaching Quarter
253D  Seminar: Topics in Medieval Architecture & Sculpture 105Q  Art and War
BOSWELL Sabbatical Sabbatical Sabbatical
CHATTOPADHYAY Non-Teaching 136B  Twentieth-Century Architecture^ 5A  Architecture & Environment^
265  Seminar: Topics in Architectural History & Urbanism:
Grammar of the Possible: Space, Duration, Archive
KHOURY Non-Teaching 6K  Survey: Islamic Art and Architecture^ 132E  Islamic Architecture 1400-Modern^
132A  Mediterranean Cities^ 275B  Topics in Islamic Art & Architecture
LUMBRERAS Sabbatical Sabbatical Sabbatical
MEADOW 255D  Seminar: Topics in 15th & 16th C. Art in Northern Europe 107B  Painting in the 16th-Century Netherlands Non-Teaching
MONAHAN Sabbatical Sabbatical Non-Teaching
MOSER W 6R  Rome the Game 103D  Introduction to Classical Archaeology Non-Teaching
252B  Seminar: Topics in Roman Architecture and Urbanism
OGBECHIE 121D  African American Art and the African Legacy 6E  Survey: Arts of Africa, Oceania, and Native North America 200A  Proseminar: Introduction to Art-Historical Methods
127A  African Art I
PAUL 115E  The Grand Tour: Experiencing Italy in the Eighteenth Century* 6B Art Survey II  Renaissance-Baroque Art Non-Teaching
187H  Museums in Transition: From the Early Modern to the Modern Period*
RITTER Non-Teaching Non-Teaching 141MH  Museums and History*
SORKIN 5B  Intro to Museum Studies* Sabbatical Sabbatical
STURMAN 134C  Chinese Painting I Non-Teaching 134K  Chinese Calligraphy: History and Aesthetics
WELTER Sabbatical 141G  Architecture of Museums and Galleries from c. 1800 to the Present^* 136Y:  Modern Architecture in Southern California, c. 1890s to the Present^
186SV  Seminar in Modern Architecture^
WHITE 6L  Playful Spaces: A Cultural History of Games 6J  Survey: Contemporary Architecture^ 136C  Architecture of the United States^
136W  Intro to 2D/3D Visualizations in Architecture^
WITTMAN 6F  Survey: Architecture and Planning^ 142C  Paris and Rome in the Nineteenth Century^ Non-Teaching
142F  Architecture, Theory & Town Planning in 19th Century France^ 186SR  Seminar in Architectural History^
SPIEKER 144C  Contemporary Art in Russia and Eastern Europe    
296A  Reading Critical Theory in the Visual Arts
MEREDITH COHEN (UCLA)   297  Getty Graduate Consortium Seminar: Ways of Seeing; Art History through Digital Technologies
[click here for more information]
 
ELAINE MCLEMORE     6C  Art Survey III: Modern-Contemporary Art
187Z  Museum Studies Seminar*

 


Crashing a History of Art & Architecture Course

The Department of History of Art & Architecture recognizes the difficulties that students face in adding courses and recommends the following when trying to add a closed or full course:

  1. Please do NOT email the instructor to see if there is a waiting list. Instead, sign up on the waiting list on GOLD
    • Make sure to fill out your name, major/minor, and class year (e.g., third year, fourth year)
    • Please note that the enrollment availability listed on GOLD might not accurately reflect the latest enrollment for the course
    • Reminder: students cannot add themselves to a waitlist unless one of the following occurs: the student has enrolled in 12 units, or all lectures and sections of the course are full or closed
  2. Attend and participate in all lecture and section (if applicable) meetings and assignments for the first week, both synchronous and asynchronous
    • If you are unable to attend a class and/or section meeting due to religious observance, illness, or other unavoidable conflict, do contact the instructor via email
  3. If you haven't been admitted to the course prior to the first class, also try joining the Canvas course site, if a page exists, as another way to follow the first week of class
    • NOTE: Even if you are able to join the Canvas site, this does not mean you are officially enrolled in the course. You must be registered on GOLD to receive credit for the course
  4. Continue attending lectures and discussion sections until you receive admission
    • Priority of enrollment and distribution of add codes are at the discretion of the instructor. Generally speaking, priority is given to those who participate in lectures and discussion sections - please note crashing protocol may vary by instructor

Add codes will not be distributed prior to completing this procedure.