Surrealism; French art (interwar period); European 20th-century Art; American Post-WWII Art; Visual Culture; Critical Theory.
Ph.D. Harvard University
Laurie Monahan specializes in early 20th century European painting and visual culture, with an emphasis on Surrealism and related movements from the 1920s and 1930s. Her research interests extend into the post-WWII period, with a focus on cultural relations between Europe and the United States, particularly in the 1960s. Her publications include essays on André Masson, Henri Matisse, and photographers Lee Miller and Claude Cahun. She has also published on Robert Rauschenberg and the Venice Biennale of 1964. She is currently finishing a book entitled A Knife into Dreams: André Masson, Massacres, and Surrealism of the 1930s, which addresses the politics of violent and myth and their relationship to French radical politics of the 1930s through Masson’s work. Monahan’s next major project, Kiosk Culture, focuses on French visual culture through Parisian photo-journals and avant-garde publications of the interwar period.
Critical continental theory has been central to Monahan’s methodological approach, and interdisciplinarity is a crucial aspect of her research. Trained as a social art historian, she received her Masters degree at the University of British Columbia, and her Ph.D. from Harvard University.
Laurie Monahan’s work has established her as a key scholar on André Masson and the “dissident Surrealists “of the 1930s and her research interests address the political and social stakes of French art and photography in the period between the two World Wars. Her work on issues of violence, identity, and cultural relations between Europe and the United States, is recognized internationally and widely cited.
119D Art in the Post-Modern World
119E Early Twentieth Century European Art, 1900-1945
119F Art of the Post-War Period, 1945-1968
119G Critical Approaches to Visual Culture
186K Iconoclasm and Defacement: Episodes from the 20th-century avant-garde
186V Seminar: Theory, Method & Historiography
Outta Sight! Adventures in the Visual, 1960-1970
Visual Culture and Revolution
Shifting Subjects in Contemporary Art
Is the Avant-Garde Really Radical? Histories and Theories of Pop Art
French Art Between the Two World Wars
Modernist Visions, Modernist Frames
Making the Everyday Modern
2009 Radical Practices: Modernism/Postmodernism/Contemporary
2006 Can Culture Count? France in the 1930s
2005 The Culture of Dissent
2004 Myth and Modernity: Avant-Garde Movements in the 1930s
2003 To the Barricades! The Culture of Dissent, circa 1968
2002 Text into Object, Object into Text
2001 Proseminar, Part II: Methodology
1999 Defining Surrealism(s), Then and Now