(China/Inner Asia and Japan/Korea)that are offered in
alternate years, and it is supplemented by a wide range of more highly
focused upper division courses and seminars. Teaching is often designed
around exhibitions of Asian art at local museums, and students occasionally
have the opportunity to assist in mounting small-scale shows. Motivated
undergraduate students interested in developing a focused specialization
in East Asian art history are encouraged to consult with their professors
to develop individual programs and work on special projects. The graduate
program in East Asian Art History at UCSB centers on text-image relationships.
These relationships can be explored in various forms and in a range of
historical eras depending upon student interest, but the foundational
work includes a strong commitment to achieving an advanced ability to
read and creatively utilize the rich textual traditions of China and
Japan. UCSB is one |
|
evolution of the literati tradition
of painting and theories of creativity. Secondary interests, however, extend
back in time to Han dynasty calligraphy, and as
far forward as the 20th century and the development
of Chinese modernist art. His current students are working on painting
and calligraphy subjects of the 18th—20th centuries.
Opportunities to work on museum exhibitions are common, the
most recent being a show of Qing dynasty calligraphy couplets at the
University Art Museum.
Miriam Wattles focuses on ukiyo-e, illustrated books, and
various painting traditions of the Edo period, but her work also extends
to include the fine and popular arts of the 20th century. Her work investigates
developing popular conceptions of the artist and the formation of the
art world through print culture. She looks particularly at the interplay
of pictorial culture with haikai poetry, gesaku fiction, and kabuki theatre.
Her students regularly help organize small exhibitions at the Santa Barbara
Museum of Art out of their extensive permanent collection of woodblock
prints. |
|