The department has a wide-ranging curriculum in the arts
of the United States, in painting, photography, architecture and visual
culture, from the colonial period to the present. The principal coverage
is provided by Bruce Robertson, whose published scholarship covers a
period from 1710 to the 1960s, primarily in painting, but also in works
on paper, photography and the history of museums. He has published extensively
on early Modernism, especially the artist Marsden Hartley, and is interested
in nativist strains in the development of modern art in the United States.
Artists and collectors of very different, even opposing ideologies, in
the
1920s and 1930s attempted to define a tradition of primitivism
that stretched back to colonial times. Complicating the story was the
issue of race; indeed, the issue of how artists in the United States
approached race and racism is a defining characteristic of US art, culture
and politics. Another research area includes the history of
museums, the development of collections and their relationship to different
publics.
The scholarly expertise and teaching interests of other
faculty in the department also incorporate the arts of the United States.
Laurie Monahan teaches art and visual culture in the United States from
World War II to the contemporary period, with particular emphasis on
art movements in the 1960s. Ulrich Keller works on photography and visual
culture in the nineteenth and early twentieth centuries; Abigail Solomon-Godeau
offers courses in contemporary art and photography of the United States
and Sylvester Ogbechie teaches the arts of the African Diaspora.
Swati
Chattopadhyay and Volker M. Welter both teach aspects of American architecture,
urbanism and historic preservation.
In recent years UCSB has invested a great deal of faculty
resources in building a more
comprehensive American Studies program. Only informally
incorporated at this point, nonetheless there are significant numbers
of prominent faculty who concentrate on aspects of American culture, film, literature
and history in many other departments. It is possible to devise graduate
seminars and dissertations
which draw on these resources.
Current dissertation topics include depictions of race, the economics
of Albert Bierstadt’s art, museum audiences in Santa Fe, and spatial
configurations in Japanese internment camps.
Additional research opportunities in the art of the
United States exist both locally and in Los Angeles: at the Santa Barbara
Museum of Art, the Huntington Library and Art Collections (where the
West Coast Branch of the Archives of American Art are housed), the Los
Angeles County Museum of Art and the Autry Museum. The Getty Museum and
Research Center has superb collections
in American photography, as does
the University of California,
Riverside. For those interested in architecture, UCSB's Architectural
Drawings Collection at the University Art Museum is one of the best in
the country and the Ethnic and Multicultural archives at UCSB boasts
extensive holdings, including the major Chicano poster collection.