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To order a copy of a dissertation, please contact:
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800-521-3042
P.O. Box 1764, Ann Arbor, MI 48106
1981
Judith Hunn
Joan Miro and Andre Masson: The Genesis of Bimorphic Imagery
Faculty Chair: Beatrice Farwell Duncan
Bee Hanson
The Cardinal Family Monotypes: Edgar Degas's Reinterpretation of Ludovic
Faculty Chair: Beatrice Farwell Duncan
Gavin Townsend
Victorian Systems of Heating and Ventilation: Effects on American Domestic Architecture, 1865—1895
Faculty Chair: David Gebhard
Hilah Selleck
Methods of Drawing Instruction in France, 1793—1863
Faculty Chair: Henri Dorra
1980
Paolo Visona
The Coinage of Populonia and Other Etrucscan Centers
Faculty Chair: Mario Del Chiaro
Rebecca Margolese-Malin
The Influence of Dada, Surrealism, and Neue Sachlichkeit on the Art of Charles Sheeler
Faculty Chair: Beatrice Farwell Duncan
Susan Curtis
The Arts of the Mambilla: A Survey
Faculty Chair: Herbert Cole
1979
Monica Blackmun Visona
The Asen of Dahomey: Ireon Altars from the People's Republic of Benin
Faculty Chair: Herbert Cole
Robin Fickle
Codex Cotton Caligula A VII in the British Museum
Faculty Chair: Larry Ayres
Joseph Aspell
Watercolours by Thomas & William Daniell in the Huntington Library
Faculty Chair: Corlette Walker
Gregory Kelley
MA by Examination - Emphasis: Medieval Art
Faculty Chair: Larry Ayres
1978
Georgia Lee
Design Elements from the Chumash Area
Faculty Chair: David Gebhard
Charlotte Jennings
Edwin Deakin's Scrapbook of his Sketches of the California Missions
Faculty Chair: Corlette Walker
Diana Melton
The Impact of the Importations of the Collections of Sir William Hamilton on the Art of Great Britain, 1770—1800
Faculty Chair: Corlette Walker
Daryl Landon
Bronze Doors in Renaissance Italy: the Fromation of the Tuscan Tradition Before 1500
Faculty Chair: Peter Meller
Roselle Pozomke
The Body of Art of the Fulani
Faculty Chair: Herbert Cole
Christine Milkes
Un Grand Meconnu, Alexandre Seon
Faculty Chair: Henri Dorra
Robert Ingersoll
Nyancka Female Body Decoration
Faculty Chair: Herbert Cole
Lynne Horiuchi
Unusual Elements in the Pietro Strozzi Tomb at Mantau
Faculty Chair: Peter Meller
Anne Edgerton
An Interpretationof Picasso's Nude Woman
Faculty Chair: Beatrice Farwell Duncan
Catherine Rock
MA by Examination - Emphasis: Medieval
Faculty Chair: Larry Ayres
Claudia Himmelberg
The Oil Sketches of Albert Bierstadt
Faculty Chair: Corlette Walker
1977
Jonathan Welch
Jackson Pollack's The White Angel
Faculty Chair: Beatrice Farwell Duncan
Edward Quick
Artistic Analysis of the Northwest Coast Raven Rattle
Faculty Chair: Herbert Cole
Janice Lyle
Blake's Debt to Flaxman: A Study Of the Influence of John Flazman's Outline Designs
Faculty Chair: Corlette Walker
Bonnie Egerman
The Drawings of Gerrit Van Honthorst
Faculty Chair: Alfred Moir
Gregory Bishop
A Comparison of the Social and Aestetic Role of Asante and Anlo Ewe Narrow Strip Weaving
Faculty Chair: Herbert Cole
Barry Zarakov
California Planned Communities of the 1920's
Faculty Chair: David Gebhard
Kathryn Smith
Frank Lloyd Wright's Hollyhock House, 1914—1924
Faculty Chair: David Gebhard
Fay Causey
A Column-krater in the Circle of the Lysippides Painter and the Motif of Lions Attacking Bulls
Faculty Chair: Mario Del Chiaro
John Caswell
MA by examination — Emphasis: Romanesque and Gothic Art
Faculty Chair: Larry Ayres
1976
Mary Zink
Paul Gauguin's Taaroa, The Tahitian God of Creation
Faculty Chair: Henri Dorra
Bruce Davis
Pietro da Cortona and Cortonismo
Faculty Chair: Alfred Moir
Susan von Berckefeldt
The Humpback Flute Player of the Southwestern Native American
Faculty Chair: David Gebhard
Richard Eisele
MA by Examination — Emphasis: American
Faculty Chair: Beatrice Farwell Duncan
Jessica Schwartz
Adolph Gottlieb and his Early Development in the New York School
Faculty Chair: Beatrice Farwell Duncan
Anne Parks
M.A. by examination — Emphasis: Primitive
Faculty Chair: Herbert Cole
Jacqueline Mason
Aubrey Beardsley' Role as an Illustrater: A Stylistic and Iconographic Analysis of his Illustrations to Thomas Malory's Morte D'Arthur
Faculty Chair: Henri Dorra
Nathan Kroopnick
The Stylistic Character of the First Style Apostle Statues of the Sainte-Chapelle in Paris
Faculty Chair: Larry Ayres
Diane Favro
Selected Etruscan Votive Terracotteas From Cervetari
Faculty Chair: Mario Del Chiaro
Jane Barthelme
Mosan Influence on Early Gothic Sculpture in France
Faculty Chair: Larry Ayres
Madelyn Mayo
The Art of South Eastern Nigerian Ibibio
Faculty Chair: Herbert Cole
1975
Nancy Smith
The Christ Image and Other Holy Figures in the Art of Benjamin West
Faculty Chair: Henri Dorra
Laurie Schick
The Problem of 'Decorative Style' Toward an Alternative Methodology for Relating Form and Content in Japanese Four Seasons Screen Painting
Faculty Chair: Prudence Myer
Margaret Proskauer
M.A. by examination — Emphasis: Architecture
Faculty Chair: David Gebhard
Elizabeth Hall
Ninsei: The Living Artist
Faculty Chair: Prudence Myer
Joseph Ehrlich
M.A. by examination — Emphasis: Architecture
Faculty Chair: Henri Dorra
Kathleen Luken
Russian Influences on the Art of Wassily Kandinsky
Faculty Chair: Henri Dorra
Gary Lenzi
The Concept of Sacred Genre in Italian Renaissance Art
Faculty Chair: Peter Meller
Ellen Holtzman
Felicien Rops: An Overview of His Illustrative Career
Faculty Chair: Henri Dorra
Ray Ford
The Disappearing Christ Image Circa 1000 AD: A Study in the Origins of the Phenomenal Conception of the Ascension
Faculty Chair: Larry Ayres
Michael Coronel
Canoe Art of Coastal Ghana
Faculty Chair: Herbert Cole
Gerald Bolas
A Sacramentary from Cambrai Bibliotheque Municipale
Faculty Chair: Larry Ayres
Stephen Bailey
The So-Called Vitellius
Faculty Chair: Peter Meller
1974
Doran Ross
Ghanaian Forowa
Faculty Chair: Herbert Cole
Cynthia Caples
The St. Louis Crucifix and the Influence of Roger of Helmarshausen in 12th Century Lower Saxon Art
Faculty Chair: Larry Ayres
Kathleen Plummer
Machine Imagery in Science Fiction of the Twenties and Thirties
Faculty Chair: David Gebhard
Rodger Burns
Two Angels in Art as a Paragone
Faculty Chair: Peter Meller
Lynn Orr
The Silent World of Sebastian Stoskopff
Faculty Chair: Alfred Moir
1973
Elizabeth Curry
In the Manner of Ni Tsau
Faculty Chair: Prudence Myer
Claire Wolfe
The Problem of Dating Francesco Traini's Pisan Fresco Cycle
Faculty Chair: Larry Ayres
Christine Marx
The So-Called Vitellius
Faculty Chair: Meller
Victor Chan
Goya's Murals for the Quinta del Serde
Faculty Chair: Henri Dorra
1972
Robert DeLapp
M.A. by examination — Emphasis: Modern
Faculty Chair: Meller
Melinda Tharaud
Catalogue of the Chinese Ceramics in the Santa Barbara Museum of Art
Faculty Chair: Prudence Myer
Barbara Parker
Iroquois False Face Soceity Masks
Faculty Chair: Herbert Cole
Seonaid McArthur
Four of Manet's Early Works and Their Relationship to the Popular Image and Legend
Faculty Chair: Beatrice Farwell Duncan
Mark Thistlewaite
M.A. by examination — Emphasis: Modern
Faculty Chair: Beatrice Farwell Duncan
Karen Loeffler
M.A. by examination — Emphasis: Primitive
Faculty Chair: Herbert Cole
Sandra Knudsen
The Problem of Rome in the Portrait Tradition of the Fifth Century
Faculty Chair: Larry Ayres
Michael Hughes
M.A. by examination — Emphasis: Modern
Faculty Chair: Henri Dorra
Dorothy Eastman
The Problem of the Nationality of the Masters of the Lambeth Bible from Canterbury
Faculty Chair: Larry Ayres
Patricia Cleek
M.A. by examination — Emphasis: Modern
Faculty Chair: Henri Dorra
Carol Calavan
A.C. Schweinfurth in California
Faculty Chair: David Gebhard
Barbara Strong
The Visual Arts of the West Africal Lobi Peoples
Faculty Chair: Herbert Cole
Anthony Coles
Peace Burning Arms: A Study n Renaissance Imagery
Faculty Chair: Peter Meller
1971
Nils Ramstedt
Edouard Manet's Bar aux Folies-Bergere
Faculty Chair: Beatrice Farwell Duncan
Marc Murphy
M.A. by examination — Emphasis: Architecture
Faculty Chair: David Gebhard
Harry Korn
M.A. by examination — Emphasis: American
Faculty Chair: Larry
Patricia Crane
Odwira: A Drama of the Ashanti
Faculty Chair: Herbert Cole
Charles Nicholson
The Problem of the Nationality of the Masters of the Lambeth Bible from Canterbury
Faculty Chair: Lanier
Denise McRary
The Brazen Serpent and an Eadwine Leaf
Faculty Chair: Larry Ayres
Linda George
M.A. by examination — Emphasis: Oriental
Faculty Chair: Prudence Myer
Herbert Andree
John Byers, Domestic Architect in Southern California, 1919—1960
Faculty Chair: David Gebhard
Gary Mullin
The Problem of the Nationality of the Masters of the Lambeth Bible from Canterbury
Faculty Chair: Larry
1970
Elizabeth O'Brien
Three Late Chou Pictorial Bronzes: A Study
Faculty Chair: Prudence Myer
Michael Jacobsen
Culcan Forging Cupid's Wing
Faculty Chair: Peter Meller
1969
Richard Minutillo
Organic Form and the Shapes and Outlines in the Paintings of Arshile Gorky
Faculty Chair: Beatrice Farwell Duncan
Thomas Soule
1968
Elizabeth Knowles
The Iconographic Meaning and Sources of Gugliemo's Sculpture on the Cathedral of Modena
Faculty Chair: Alfred Moir
1967
Doris Fienga
Hercules in the Thought and Art of the Italian Renaissance
Faculty Chair: Mario Del Chiaro
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