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faculty |
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ann jensen adams, associate professorcurriculum vitae |
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specialization |
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17th-century Dutch Art; Visual Culture & History of Science (16th—18th centuries), Early Modern Gender Studies; Portraiture |
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office |
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Arts 1216 |
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phone |
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805 893 7710 |
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B.A. Radcliffe College Ph.D. Harvard University |
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Ann Jensen Adams received her Ph.D. from Harvard University. Her approaches to her field of 17th-century Dutch art and visual culture has been shaped in part by her undergraduate degree from Radcliffe College in Government, and several years making stained glass windows as a practicing artist. Her primary areas of research are in the areas of the history of science, portraiture, and the role of images in constructing gender identities. Professor Adams has received fellowships from the National Science Foundation, the Ministry of Education and Science, The Netherlands, the Metropolitan Museum of Art, New York (Chester Dale Research Fellowship), the Mrs. Giles Whiting Foundation, and the J. Paul Getty Trust; she was a Visiting Scholar at the Getty Research Institute in 2005. Her publications include Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture and the Production of Community (Cambridge University Press, forthcoming 2007); editor of New Approaches to Rembrandt: Rembrandt's Bathsheba Reading King David's Letter (Cambridge University Press, 1998); and curator and catalogue author of the exhibition Seventeenth-Century Dutch and |
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Flemish Paintings in New York Private Collections, National Academy of Design, New York (1988). In addition to reviews and encyclopedia entries, articles have appeared in The Art Bulletin, Nederlands Kunsthistorisch Jaarboek, and De Zeventiende Eeuw. She has written additional essays for several exhibition catalogues and anthologies in the area of 17th-century Dutch Art. Her current research addresses the relationship of the history of science to 17th-century visual culture and includes a book The Presence of History and the Persistence of Time in Seventeenth-Century Dutch Art, and an annotated edition of the account book of the Utrecht patrician Carel Martens. Professor Adams has served on the Board of Directors of the Smart Art Museum University of Chicago, the College Art Association Committee on Electronic Information, the Faculty Editorial Board of the University of California Press, as well as the University of California System-wide Faculty Senate. Before coming to UCSB, Ann Jensen Adams taught at the University of Chicago. |
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undergraduate courses |
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The age of Rembrandt and Vermeer, Parts I and II |
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Rethinking Rembrandt |
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Gender and Power in the Early Modern Period |
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Freshman Seminar: Close Looking. Examining Works of Art |
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graduate seminars |
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2005—2006 |
Visuality and Text in Early Modern Europe and the Americas (co-taught with Jeanette F. Peterson) |
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2004—2005 |
Proseminar: Introduction to Art Historical Methods |
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2003—2004 |
Vermeer: The Sphinx of Delft. The Man, The Work, The Myth |
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2002—2003 |
Identity, Representation, and Facticity in the Early Modern Period |
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2001—2002 |
Vision, Knowledge, and the Scientific Revolution |
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2000—2001 |
The Natures of Nature |
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