UC Santa Barbara History of Art and Architecture
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course index

   

 

 
           

Winter 2008

 
 

lower division courses

 

1

Introduction to Art

Paul

6B

Art Survey II: Renaissance-Baroque Art

Adams

6E

Survey: Arts of Africa, Oceania, and Native North

Ogbechie

6F

Survey: Architecture

Wittman

 

 

upper division courses

 

103B

Roman Art: From the Republic to the Empire (509 B.C. to A.D. 337)

Yegül

103C

Greek Architecture

Yegül

109A

Italian Renaissance 1400-1500    

Williams

109G

Leonardo Da Vinci: Art, Science, and Technology in Early Modern Italy

Williams

115C

Eighteenth Century British Art and

Bermingham

117E

Nineteenth-Century German Art

Keller

119B

Contemporary Art

Solomon-Godeau

119G

Critical Approaches to Visual Culture

Monahan

127A

African Art I

Ogbechie

132I

Art of Empire

Simonowitz

133DD

Special Topics in Islamic Art

Simonowitz

136H

Housing American Cultures

White

136W

Introduction to 2D/3D Visualizations in Architecture

White

186RS

Seminar in Chinese Art

Sturman

186T

Seminar in Photographic History

Solomon-Godeau

186V

Seminar: Theory

Bermingham

186X

Contemporary American Car Design

Armi

     
 

graduate courses

 

200B

Proseminar: Introduction to Art-Historical Methods

Monahan

235E

Seminar in Romanesque Architecture and Sculpture

Armi

265

Theories and Methods in Architectural History

Wittman

282A

Seminar: Topics on East Asian Art

Sturman

296A

Theories of the Modern

Spieker

     

1

Introduction to Art

 

 

This course is intended for students who have not taken classes in Art History, and may or may not do so again. It is designed to develop basic visual skills and introduce students to the wide range of issues, works, and themes with which Art History is engaged, varying from year to year. Not open to art history majors. GE: F
ENROLLMENT BY DISCUSSION SECTION

 

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6B

Art Survey II: Renaissance-Baroque Art

Adams

 

     
 

Renaissance and Baroque art in northern and southern Europe. (W)
ENROLLMENT BY DISCUSSION SECTION

 

Questions about enrollment and section assignments should be directed to the Lead TA.

All other course questions should be directed to the Head TA.

There is no text for this course; a Reader will be available for purchase in the first week of the quarter.

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6E

 Survey: Arts of Africa, Oceania, and Native North America

 

     
 

A conceptual, cross-cultural introduction to Amerind, Eskimo, African, and Oceanic arts: artists, sculpture, festivals, body decoration, masking, architecture, and painting will be seen in the context of social and religious values. Films, slides, and museum tours

 

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6F

Survey: Architecture

 

     
 

This unconventional survey of architecture and planning centers on case studies chosen from different periods in predominantly Western but also non-Western architectural history, from the Greek temple to the palace of Versailles, from colonial planning in North Africa to Mussolini's new towns in Italy, and from Frank Lloyd Wright's Fallingwater to the Batammaliba houses of Togo and Benin. Student writing assignments will involve writing about first-hand experience of local architecture.

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103B

Roman Art: From the Republic to the Empire (509 B.C. to A.D. 337)

 

     
 

Prerequisite: not open to freshmen.

Recommended preparation: Art History 6A. Painting, sculpture, and decorative arts of the Romans from the Republic to the Empire, from Romulus to Constantine. Social, economic, and cultural background emphasized

 

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103C

Greek Architecture

 

     
 

Prerequisite: not open to freshmen. The architecture of the Greek world from the archaic period through the Hellenistic Age

 

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109A

Italian Renaissance 1400-1500

 

     
 

Not Open to Freshmen.
Developments in painting and sculpture, with attention to issues of technique, iconography, patronage, workshop culture and theory.

 

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109G

Leonardo Da Vinci: Art, Science, and Technology in Early Modern Italy

 

     
 

The life and work of Leonardo Da Vinci and a consideration of their place in the history of art as well as in the development of early modern science and technology.

 

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115C

Eighteenth Century British Art and Culture

 

   
 

Prerequisite: not open to freshmen.
An interdisciplinary study of British art and culture in the eighteenth century. Topics may include: the art market and art public; portraiture and autobiography; images of the family; landscape gardening and poetry; sentimentalism; the Royal Academy and the ordering of the arts.

 

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117E

Nineteenth-Century German Art

 

     
 

Prerequisite: not open to freshmen.
A survey of the major art movements in nineteenth century Germany, including Romanticism, Realism, Impressionism, Art Nouveau, and Symbolism. Special emphasis given to the historical and cultural context of German art, and its interaction with the international art scene.

 

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119B

Contemporary Art

 

     
 

Prerequisite: not open to freshmen.
Study of recent artistic developments, from pop to contemporary movements in painting, sculpture, and photography. Movements studied include minimal art, postminimalism, process art, conceptual art, earthworks, pluralism, neoexpressionism, and issues of postmodern art and criticism.

 

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119G

Critical Approaches to Visual Culture

 

     
 

Prerequisite: not open to freshmen.
Critical ways of approaching and understanding a wide range of visual materials and images (paintings, ads, videos, etc.). Analytic approaches to culture and representation are used as a means of developing descriptive and interpretive skills.

 

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127A

African Art I

 

     
 

Prerequisite: not open to freshmen.
Recommended preparation: Art History 6E.
The relationship of art to life in sub-Saharan Africa. A cross-cultural survey of types, styles, history, and values of arts ranging from personal decoration to the state festival, stressing Ashanti, Ife, Benin, Yoruba, Cameroon.

 

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132I

Art of Empire

 

     
 

Prerequisite: not open to freshmen.
Studies the visual culture of different empires, alone or in a comparative fashion. For example, Ottoman and Hapsburg; Ottoman, Safavid, and Mughal; Mughal and British India; or the earlier empire of the Fatimids, Abbasids, and Umayyads of Syria and Spain.

 

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133DD

Special Topics in Islamic Art

 

     
 

Prerequisite: not open to freshmen.
May be repeated for credit to a maximum of 12 units provided letter designations are different. Special topics in Islamic art.

 

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136H

Housing American Cultures

White

 

     
 

Prerequisite: not open to freshmen.
The history of American domestic architecture from the colonial period to the present within a framework of cultural plurality. Examination of the relation between ideas of domesticity, residential design, individual, regional, and ethnic choices.

 

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136W

Introduction to 2D/3D Visualizations in Architecture

White

 

     
 

Prerequisite: upper-division standing; open to majors only.
Letter grade required. Same course as Art Studio 106W.
Develops skills in reading, interpreting, and visualizing in 3D objects and spaces by offering exercises in sketching, perspective, orthographic projections, isometric drawings, and manual rendering practices. Relevant for those interested in history of architecture, architecture, sculpture, and such spatial practices as installations and public art.

 

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186RS

Seminar in Chinese Art

 
     
 

Prerequisite: upper-division standing. Advanced studies in Chinese art. Topics vary. Requires weekly readings and discussion, and the writing of a research seminar paper

 

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186T

Seminar in Photographic History

 

     
 

Prerequisite: upper-division standing. May be repeated for credit to a maximum of 8 units with different topic. Advanced studies in photographic history. Topics will vary. This course requires weekly readings and discussion, and the writing of a research seminar paper.

 

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186V

Seminar: Theory

 

     
 

Prerequisite: upper-division standing.
May be repeated for credit to a maximum of 8 units with different topic.
Advanced studies in art theory. Topics will vary. This course requires weekly readings and discussion, and the writing of a research seminar paper.

 

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186X

Contemporary American Car Design

 

     
 

Prerequisite: upper-division standing.
May be repeated for credit to a maximum of 8 units with different topic.

Contemporary American Car Design and related Art Historical issues

 

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200B

Proseminar: Introduction to Art-Historical Methods

 

     
 

Prerequisites: graduate standing; open to Art History majors only.
Required of all first-year M.A. and Ph.D. students.
Introduction to art-historical methods, with emphasis on the historical development of current practices, critical theory, debates within the field, and cross-disciplinary dialogues.

 

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253E

Seminar in Romanesque Architecture and Sculpture

 

     
 

Prerequisite: graduate standing.
Seminar on major topics and problems in the monumental arts of the eleventh and twelfth centuries in Europe.

 

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265

Theories and Methods in Architectural History

 

     
 

Prerequisite: graduate standing.
This seminar will explore a range of critical methodologies and philosophical discourses that have shaped the practice of architectural and urbanism history. Our basic method will be to juxtapose works of philosophy and/or theory with works of architectural and urbanism history that they have in some way informed or inspired. We will begin with the origins of the Western architectural history tradition, but we will focus mainly on post-WWII developments.

 

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282A

Seminar: Topics on East Asian Art

 

     
 

Prerequisite: graduate standing.
Research on select problems on the arts of China, Japan, or Korea.

 

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296A

Theories of the Modern

 

     
 

Prerequisite: graduate standing.
Same course as German 270.
Analysis of theories and critiques of modernism and modernity from Benjaminto Adorno and Derrida, with special focus on the historical avantgarde.

 

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Last Update: Wednesday, June 20, 2007 11:10

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