SPRING 2005
( This page will be updated - please check back for updates.)
( This page will be updated - please check back for updates.)
| Course # | Title | Instructor |
| LOWER DIVISION
COURSES |
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| 6C | ART SURVEY III: MODERN - CONTEMPORARY |
Naomi Sawelson |
| 6D | SURVEY: ASIAN ART | Peter Sturman |
| 6F | SURVEY: ARCHITECTURE AND PLANNING | Swati Chattopadhyay |
| UPPER
DIVISION COURSES |
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| 101C | HELLENISTIC GREEK ART |
Catie Mihalopoulos |
| 105H | MEDIEVAL ART: GOTHIC |
Catie Mihalopoulos |
| 111C | AGE OF VERMEER CANCELLED |
Ann Jensen Adams |
| 116AA | SPECIAL TOPICS IN EIGHTEENTH-CENTURY ART: FRENCH ARCHITECTURE FROM THE ROCOCO TO THE REVOLUTION |
Richard Wittman |
| 121D | AFRICAN-AMERICAN ART | Sylvester Ogbechie |
| 130A | PRE-COLUMBIAN ART OF MEXICO | Jeanette F. Peterson |
| 130C | THE ARTS OF SPAIN AND NEW SPAIN |
Jeanette F. Peterson |
| 132E | ISLAMIC ARCHITECTURE 1400-MODERN | Nuha Khoury |
| 133BB | SPECIAL TOPICS IN ISLAMIC ART: MODERN ART & THE ARAB WORLD |
Nuha Khoury |
| 134F | THE ART OF JAPAN | Miriam Wattles |
| 134G | JAPANESE PAINTING | Miriam Wattles |
| 136B | 20TH CENTURY ARCHITECTURE | Swati Chattopadhyay |
| 138B | CONTEMPORARY PHOTOGRAPHY | Barbara Vilander |
| 143B | FEMINISM AND ART HISTORY | Solomon-Godeau |
| 186J | SEMINAR IN NINETEENTH CENTURY MODERN ART | Abigail Solomon-Godeau |
| 186T | SEMINAR IN PHOTOGRAPHIC HISTORY | Barbara Vilander |
| 186X | SEMINAR IN MODERN DESIGN CANCELLED |
Edson Armi |
| 186Y | SEMINAR IN ARCHITECTURE AND ENVIRONMENT | Volker W. Welter |
| GRADUATE
COURSES |
||
| 251B | SEMINAR: TOPICS IN AFRICAN ARTS IN CONTEXT | Sylvester Ogbechie |
| 253D | SEMINAR: TOPICS IN MEDIEVAL ARCHITECTURE CANCELLED |
Edson Armi |
| 257A | SEMINAR IN 17TH CENTURY ART CANCELLED |
Ann Jensen Adams |
| 258A | SEMINAR: TOPICS IN EIGHTEENTH-CENTURY ART | Ann Bermingham |
| 265 | SEMINAR: TOPICS IN ARCHITECTURAL HISTORY CANCELLED: grad students ck w/Wittman for other options |
Richard Wittman |
| 267 | SEMINAR: TOPICS IN ARCHITECTURE AND ENVIRONMENT | Volker Welter |
| RELATED
COURSES IN OTHER DEPARTMENTS |
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| ARTST105 | INT 3D SCULPTURE: ARCHITECTURAL DRAWING & VISUALIZATION EC#54072 |
Jeremy White |
| INT94HV | FRESHMAN SEMINAR I Am Not Myself: Art and Identity in America |
Sylvester Ogbechie |
|
History of Western art from the eighteenth
century to the present. |
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| Instructor | Days | Hours | Room |
| Naomi Sawelson | TR | 1100-1215 | CAMPB HALL |
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| The
arts of India, China, and Japan. GE: WRT, NWC, F. ENROLLMENT BY DISCUSSION SECTION Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Peter Sturman | TR | 930-1045 | IV THEA 2 |
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A
selective chronological survey of architecture and urban design
in social and historical context. Individual buildings and urban
plans from the past to the present will be used as examples. GE:
WRT, F. ENROLLMENT BY DISCUSSION SECTION
|
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| Instructor | Days | Hours | Room |
| Swati Chattopadhyay | MW | 200-315 | ARTS 1245 |
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Sculpture, painting, architecture and urbanism of the Mediterranean world from the conquests of Alexander the Great to Rome's annexation of Ptolemaic Egypt in 30 B.C.E. Examines artistic styles, art and intellectual currents, cultural hybridity in the arts of the Hellenized East, and the Hellenistic transformation of Roman Republican artistic patronage. Prerequisite: not open to freshman. GE: F |
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| Instructor | Days | Hours | Room |
| Catie Mihalopoulos | TR | 200-315 | ARTS 1241 |
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Architecture, sculpture, and painting of the Gothic period in Western Europe from 1150 - 1400 A.D. Prerequisite: upper-division standing. Not open for credit to students who have completed Art History 153D. GE: F, WRT |
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| Instructor | Days | Hours | Room |
| Catie Mihalopoulos | TR | 1100-1215 | ARTS 1241 |
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|
Major architectural developments in Paris and the provinces, focusing on key buildings and individuals. Emphasis on the place of architecture in broader developments, from the cultural consolidations of absolutism to the socio-political upheaval of the Revolutionary era. Prerequisite: Not open to freshmen May be repeated for credit to a maximum of 12 units provided letter designations are different.
Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Richard Wittman | TR | 330-445 | ARTS 1241 |
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| Examination
of three centuries of African-American art in North America, the Caribbean,
and Brazil, stressing the African Legacy. Colonial metalwork and pottery,
folk or outsider genres, and mainstream nineteenth- and twentieth-century
work are among traditions studied. Prerequisite: not open to freshmen.
GE: F, ETH, WRT
Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Sylvester Ogbechie | TR | 1100-1245 | ARTS 1245 |
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The art and architecture of selected cultures of northern Mesoamerican
(non-Maya) from circa 1200 B. C. to the Conquest with an emphasis
on iconographical and historical problems. Topics will include current
debates on diverse methodological approaches to the interpretation
of archaeological material. Prerequisite: not open to freshmen. GE:
F, NWC, WRT
Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Jeanette F. Peterson | TR | 930-1045 | ARTS 1245 |
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| Beginning
with the Islamic, Medieval and Renaissance arts of Spain, this course
will chart their influence and transformation in the sixteenth and
seventeenth-century arts of the New World. Special emphasis will be
placed on the creative interaction of the European and indigenous
traditions in the architecture, sculpture, graphics, painting, and
ritual practice of the colonial Americas. Prerequisite: not open to
freshmen. GE: F
Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Jeanette F. Peterson | TR | 1230-145 | IV THEA 2 |
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| Islamic
architecture, 1400-modern, in its historical context. Prerequisite: not open to freshmen. GE: F, NWC, WRT. Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Nuha Khoury | MW | 1230-145 | ARTS 1241 |
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| MODERN ART & THE ARAB WORLD Prerequisite: not open to freshmen. Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Nuha Khoury | TR | 1230-145 | ARTS 1245 |
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| This
course is a chronological survey of Japanese visual culture from prehistoric
figurines to manga-influenced contemporary art. Looking broadly at
how the role of the artist shifted in different periods, we will analyze
objects according to how format and style relate to original social
function. We will also historically consider how artistic taste changed
according to whether the country's doors were open or shut to foreign
exchange. As well as focusing on painting, sculpture, and architecture, we will touch on calligraphy, ceramics, and fashion. Prerequisites: Not open to freshmen. Recommended preparation: Art History 6D. GE: F, NWC Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Miriam Wattles | MW | 930-1045 | ARTS 1241 |
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| The
changing and entwined traditions of Japanese painting: those rooted
in native concepts and practices, and those from China. Prerequisite:
not open to freshmen. Recommended preparation: 6D. GE: F, NWC Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Miriam Wattles | WF | 200-315 | ARTS 1426 |
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| The
history of architecture from 1900 to the present. Examination of modern
and post-modern architecture and city planning in its social, political,
and artistic context. The scope is global. Prerequisites: Not open
to freshmen. GE: F, WRT.
Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Swati Chattopadhyay | MW | 1100-1215 | ARTS 1241 |
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|
The course will examine the technical, social/historic and aesthetic aspects of post-World War II photography. Prerequisite: Not open to freshmen. GE: F
Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Barbara Vilander | MW | 1100-1215 | ARTS 1245 |
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| Examination
of both feminist critiques of Western representational practices and
feminist interventions in art history. Topics to be determined by
instructor. Prerequisite: not open to freshmen. GE: F Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Abigail Solomon-Godeau | MW | 200-315 | ARTS 1241 |
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Advanced studies in nineteenth century modern art. Topics will vary. This course requires weekly readings and discussion, and the writing of a research seminar paper. Prerequisites: upper-division standing. Instructor office hours Course website |
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| Instructor | Days | Hours | Room |
| Abigail Solomon-Godeau | T | 1100-150 | ARTS 2622 |
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Advanced studies in photographic history. Topics will vary. This course requires weekly readings and discussion, and the writing of a research seminar paper. |
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| Instructor | Days | Hours | Room |
| Barbara Vilander | MW | 100-215 | ARTS 2622 |
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| Advanced
studies in architecture and environment. Topics will vary including
active archival research. The course requires weekly readings and
discussions, and the writing of a research seminar paper. Instructor office hours |
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| Instructor | Days | Hours | Room |
| Volker W. Welter | MW | 930-1045 | ARTS 2622 |
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Special research in African Art. Prerequisite: graduate standing. Instructor office hours |
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| Instructor | Days | Hours | Room |
| Sylvester Ogbechie | W | 100-350 | ARTS 2622 |
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| 258A
SEMINAR: TOPICS IN EIGHTEENTH-CENTURY ART |
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| Special research in eighteenth-century art with special emphasis on painting and prints. The cult of sensibility in 18th century Britain. Instructor office hours |
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| Instructor | Days | Hours | Room |
| Ann Bermingham | M | 215-500 | ARTS 2622 |
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| Critically
analyzes topics arising out of the interrelationship of architecture
and the environment. Focus is on architectural historical, theoretical,
and aesthetic issues. Perquisite: graduate standing.Critically analyzes
topics arising out of the interrelationship of architecture and the
environment. Focus is on architectural historical, theoretical, and
aesthetic issues. Perquisite: graduate standing. Instructor office hours |
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| Instructor | Days | Hours | Room |
| Volker Welter | M | 300-550 | ARTS 2622 |
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| The aim of this course is to introduce the visualization of architectural
space, and to understand why architects draw the way they do. Students will
learn to read plans and sections, to relate these architectural
representations to buildings, and to learn the basics of drawing in two and
three dimensions. This introductory exploration of architectural drawing
principles and motivations will comprise a variety of brief lectures,
discussion, short field trips on campus, light reading, architectural
modeling, and manual drawing. The course should appeal to students
interested in architectural design and its history. Instructor office hours |
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| Instructor | Days | Hours | Room |
| Jeremy White | TR | 1200-250 | ARTS 0641 |
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